Played five guitars at Guitar Center...

...and here's my quick take on them. I was surprised by a few.

Guitar 1: Epiphone G-400 (SG) Worn Cherry - This guitar was the biggest surprise for me. I thought I would love it, seeing as how I love my cheapo Epiphone SG Junior, but I really didn't like it. This was my first experience with a "real" set-neck SG, and I didn't like how the neck felt like it was so far out from the body. It wasn't comfortable. I'm sure I'd get used to it after a while, but I didn't like it. I was also thoroughly unimpressed with the quality of it. My Indonesia-made cheapy is much better finished than this Chinese-made not-so-cheapy. The switch felt cheap, the knobs were wobbly, and the pots didn't do much - the tone controls had very little taper. I was completely disappointed with this one. And at $349, it wasn't worth it at all. I didn't like the sound of the pickups, but a lot of that could've been the amp.

The only one available was an Orange Crush 20-watter and it was easily the worst amp I've ever played through. The distortion was fizzy and it had no tone. I'd play it again through a better amp if I liked the way it played, but I didn't.

Guitar 2: Epiphone Les Paul Traditional Pro - This one was much better than the SG. I still didn't like the pickups, but they did sound better than the SG's, even through the shit Orange amp. Quality was substantially better, and it had a nice wine red flame top on it. Or course it was more expensive than the SG, too: $499, which is kind of a lot for a Chinese guitar. Even though it was better than the SG, it still didn't speak to me, so I put it down and went on to...

Guitar 3: Fender Modern Player Telecaster HSS - Another Chinese guitar, but this one was $399 and the quality was leaps ahead of both Epiphones. It felt and sounded good, too. It had a lacquered neck, which was a bit sticky, but the pickups sounded great. I just wish it had some kind of switching that would allow the bridge and neck to be played at the same time, so you can also get classic Tele sounds to go along with the very Stratty tone this thing put out. And I was still playing through the Orange. It was my favorite, so far...

Guitar 4: Sterling Axis 40 - I liked absolutely nothing about this guitar. I played and almost bought a Sterling JP50, so I know they can make good guitars, but this was terrible. I'm sure a lot of it has to do with the design. The body shape made it uncomfortable to sit with. The non-recessed Floyd copy seemed like a waste (I'd prefer to be able to bend the pitch in both directions) and the neck felt cheap and narrow, yet it was too thick. The overall quality was OK, but I didn't like the guitar at all. The face that is was purple didn't help.

Guitar 5: LTD EC-256 - I almost didn't play this one. I was ready to leave after playing the Axis, but I took one more perusal around the store first. The LTD was hidden in a corner, and it was the only LTD in the store, so I had to play it. I never played an LTD before and I wanted to know what they were like. Well, as soon as I picked it up, I knew it was special. It just oozed quality. It had a beautiful sunburst finish and flame top with a natural back and sides. It was light but felt substantial. I played it a bit unplugged and I loved the neck - a nice D profile that wasn't too thick, but wasn't thin either.

Since this was in a different spot than the others, I plugged it into the nearest amp, a Line 6 Spider IV 75-watter, and I have to say it sounded very good. They must have made a lot of improvements from III to IV. Anyway, the guitar played like a dream. The pickups sounded great, both in humbucker and tapped single-coil mode. They had clarity and power, but more vintage power than screaming-at-the-amp power. I could've played it all day but I had to head home. Obviously, it was my favorite of all the guitars I played, and it was only $399, $100 cheaper than the Epiphone LP but worlds better.

Gear Review: Fender Kurt Cobain Mustang signature guitar

The Fender Kurt Cobain Mustang was one of Fender's most exciting announcement over the last few years. His previous signature models - the Jag-Stang and most noticeably the very successful Jaguar - were Kurt’s preferred instruments although it is the Mustang that we associate with him most. This is predominantly down to the Mustang that he trashed in the "Smells like Teen Spirit" video from which he is most famous. So the prospect of replicating Kurt’s guitar right down to his own personal modifications was enough to have most guitarists salivating over it.

Fender's original 60s model was designed as a student instrument as it is smaller in scale, smaller in body, and slimmer but yet still contains Fender's famous build quality. It was probably this compact size and easy playability that persuaded Cobain to play it in the first place. It was also the first Fender student guitar to incorporate a vibrato system, apparently every time Kurt wobbled the arm the guitar kept going out of tune so he modified it to a hardtail.

Fender have rightly kept all of these features in the Kurt Cobain Mustang but have increased the output by introducing a high output Seymour Duncan JB humbucker at the bridge, whereas the original only featured two single coil pickups. This makes the sound smoother yet increases the output and is capable of delivering the powerful tones that made Nirvana famous.

It would be fair to say the Mustangs don’t really excel when it comes to tonal versatility. However the cool on/off pickup sliders produce out of phase, sweet and spiky humbucker tones. As much as you try the JB humbucker will never cross into metal territory, even on the highest gain setting. As much as I like this personally it’s not very authentic and is quite disappointing really.

A cool added bonus is that with the guitar you get a limited edition 10-inch red vinyl edition of "Smells like teen spirit." It also comes in three vintage Fender finishes: Lake Placid Blue with racing stripe, Fiesta red and Sonic Blue. And if you're a lefty, they are all available in a left-handed equivalent.

There’s no getting around it, it is a very expensive guitar and in all honesty I do think it could be more versatile tonally. However visually its stunning and it takes real time and effort to produce an instrument that really does reflect a player’s attitude and tone. All in all I really like the KC Mustang but I would highly recommend you try before you buy.